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Josep i Maria
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You've selected:
Josep i Maria
Sheetmusic to print
19 sheet music found
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1
Josep i Maria (Joseph and Mary)
Josep i Maria (Joseph and Mary)
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Guitar notes and tablatures
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EASY
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Anonymous
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Mark Phillips
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Josep i Maria
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A. J. Cornell Publications
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.692068 Composed by Anonymous. Arranged by Mark Phillips. Folk,Multicultural,World. Guitar Tab. 1 pages. A. J. Cornell Publica...
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Guitar - Level 2 - SKU: A0.692068 Composed by Anonymous. Arranged by Mark Phillips. Folk,Multicultural,World. Guitar Tab. 1 pages. A. J. Cornell Publications #6096753. Published by A. J. Cornell Publications (A0.692068). Traditional Catalan melody Josep i Maria (Joseph and Mary) arranged for easy to intermediate–level solo classical guitar
$1.99 ≈
1.86€
Joseph and Mary
Joseph and Mary
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Simon James, Daniel Thomas, Ma
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Simon James
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Joseph and Mary
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DML
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SheetMusicPlus
Acoustic Guitar,High Voice,Medium Voice - Level 4 - SKU: A0.1108944 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan. Arranged by S...
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Acoustic Guitar,High Voice,Medium Voice - Level 4 - SKU: A0.1108944 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan. Arranged by Simon James. Christian,Christmas,Classical,Contemporary,Traditional. Full Performance. Duration 119. DML #711493. Published by DML (A0.1108944). Catalonia has a great tradition of Christmas carols, rather like Austria. They are secular songs in general, intended to be sung by anybody at any time during the Christmas period. According to the Catalan writer Joan Amades (1890-1959) these Christmas songs were sung by shepherds at the doors of the churches on Christmas Eve, some of the melodies date back to the 15th century. As their origin would suggest the lyrics can be very down to earth. Joseph and Mary (Josep i Maria) has an English lyric which, like the Song Of The Birds (Cant Dels Ocells), is not a direct translation though the central elements are the same as the Catalan original. The score is also available from Sheet Music Direct or Sheet Music Plus.
$1.99 ≈
1.86€
Quintet de la nit i del dia
Quintet de la nit i del dia
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Contemporary
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Josep Maria Mestres Quadreny
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Quintet de la nit i del dia
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La Ma de Guido - Digital
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SheetMusicPlus
Small Ensemble Clarinet - SKU: A0.849413 Composed by Josep Maria Mestres Quadreny. 20th Century. Score and parts. 83 pages. La Ma de Guido - Digital #31...
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Small Ensemble Clarinet - SKU: A0.849413 Composed by Josep Maria Mestres Quadreny. 20th Century. Score and parts. 83 pages. La Ma de Guido - Digital #3102875. Published by La Ma de Guido - Digital (A0.849413). Clarinet quintet
$6.75 ≈
6.30€
Tríade per a Joan Miró (I)
TrÃade per a Joan Miró (I)
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Contemporary
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Josep Maria Mestres Quadreny
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TrÃade per a Joan Miró
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La Ma de Guido - Digital
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SheetMusicPlus
Small Ensemble Double Bass,Flute,Multi-Percussion,Piano Accompaniment,Violin - SKU: A0.849502 Composed by Josep Maria Mestres Quadreny. 20th Century. Sc...
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Small Ensemble Double Bass,Flute,Multi-Percussion,Piano Accompaniment,Violin - SKU: A0.849502 Composed by Josep Maria Mestres Quadreny. 20th Century. Score and parts. 32 pages. La Ma de Guido - Digital #3104371. Published by La Ma de Guido - Digital (A0.849502).
$4.99 ≈
4.66€
Haydn - Symphony No.48 in C major, Hob.I:48 "Maria Theresia"
Haydn - Symphony No.48 in C major, Hob.I:48 "Maria Theresia"
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Orchestra
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Classical
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Franz Joseph Haydn
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J
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Haydn - Symphony No.48 in C ma
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.819642 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 89 pages. J.G. Cuco Barber #5...
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Full Orchestra - SKU: A0.819642 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 89 pages. J.G. Cuco Barber #5987623. Published by J.G. Cuco Barber (A0.819642). Composer Haydn, JosephOpus/Catalogue Number Hob.I:48Key C majorMovements/Sections 4 movements:Allegro (C major, 196 bars)Adagio (F major, 89 bars)Minuet (C major, 44 bars)- Trio (C minor, 40 bars)Finale. Allegro (C major, 160 bars)Year/Date of Composition 1768-69First Publication 1784 or earlier – Paris: Imbault and SieberAverage Duration 30 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:Oboe 1Oboe 2BassoonHorn in C/F 1 original & F transposedHorn in C/F 2 original & F transposedTrumpet in Bb 1 optionalTrumpet in Bb 2 optionalTimpaniViolin IViolin IIViolaVioloncelloContrabass
$28.00 ≈
26.13€
Kupelwieser Waltz (for Violoncello and Piano) from Waltz in G-flat major, D.Anh.I/14 - EASY VERSION
Kupelwieser Waltz (for Violoncello and Piano) from Waltz in G-flat major, D.Anh.I/14 - EASY VERSION
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Cello, Piano
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EASY
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Classical
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Franz Schubert
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Flavio Regis Cunha
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Kupelwieser Waltz
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Flavio Regis Cunha
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.597487 Composed by Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period,Wedding. Score and part. 8 pages. Fla...
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Cello,Piano - Level 2 - SKU: A0.597487 Composed by Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period,Wedding. Score and part. 8 pages. Flavio Regis Cunha #6208653. Published by Flavio Regis Cunha (A0.597487). Here we offer a beautiful easy arrangement written for cello and piano duet transposed to G Major from the original piece written in G flat Major. You, your student and your audience will love playing and hearing this waltz.Leopold Kupelweiser was the son of Johann Baptist Georg Kilian Kupelwieser (1760–1813), co-owner of a factory that produced tableware.[1] His talents were recognized at an early age by the sculptor Franz Anton von Zauner and by the time he was twelve, he was already attending the Academy of Fine Arts, Vienna.His brother was the theatrical director Joseph Kupelwieser, who wrote the libretto for Schubert's opera Fierrabras. With his brother, Joseph, he was a member of the Schubertianern (friends of Franz Schubert), a group that often got together for summers at the Schloss Atzenbrugg, west of Vienna. In 1826, Leopold married Maria Johanna Evangelista Augustina Stephania Theodora Lutz, an occasion which was marked by Schubert's composition, the Kupelwieser Waltz (never written down, but passed along by the family and later transcribed by Richard Strauss).
$7.99 ≈
7.46€
All I Want For Christmas Is You
All I Want For Christmas Is You
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String Quartet: 2 violins, viola, cello
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Christmas
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Lady Antebellum
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Joseph Shuffield
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All I Want For Christmas Is Yo
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Whitewhisker Music
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.991328 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Joseph Shuffield. Contemporary,Pop...
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String Quartet String Quartet - SKU: A0.991328 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Joseph Shuffield. Contemporary,Pop. Score and parts. 8 pages. Whitewhisker Music #3399221. Published by Whitewhisker Music (A0.991328). This exciting arrangement captures all the details of Mariah Carey's Christmas classic, including the dramatic introductory verse (here featuring solo cello) and the joyful momentum and melodic pyrotechnics of Carey's performance. Perfect for Christmas cocktail parties, or even the recessional at a Christmas wedding, this arrangement is easily performed by professionals or an advanced student ensemble as well. Everyone in the quartet gets a taste of the melody. PARTS ONLY.
$12.99 ≈
12.12€
All I Want For Christmas Is You
All I Want For Christmas Is You
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String Quartet: 2 violins, viola, cello
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Christmas
#
Lady Antebellum
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Joseph Shuffield
#
All I Want For Christmas Is Yo
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Whitewhisker Music
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.991326 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Joseph Shuffield. Contemporary,Pop...
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String Quartet String Quartet - SKU: A0.991326 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Joseph Shuffield. Contemporary,Pop. Score and parts. 7 pages. Whitewhisker Music #3399219. Published by Whitewhisker Music (A0.991326). This exciting arrangement captures all the details of Mariah Carey's Christmas classic, including the dramatic introductory verse (here featuring solo cello) and the joyful momentum and melodic pyrotechnics of Carey's performance. Perfect for Christmas cocktail parties, or even the recessional at a Christmas wedding, this arrangement is easily performed by professionals or an advanced student ensemble as well. Everyone in the quartet gets a taste of the melody. SCORE ONLY.
$12.99 ≈
12.12€
All I Want For Christmas Is You
All I Want For Christmas Is You
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String Quartet: 2 violins, viola, cello
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Christmas
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Lady Antebellum
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Joseph Shuffield
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All I Want For Christmas Is Yo
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Whitewhisker Music
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.991324 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Joseph Shuffield. Contemporary,Pop...
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String Quartet String Quartet - SKU: A0.991324 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Joseph Shuffield. Contemporary,Pop. Score and parts. 15 pages. Whitewhisker Music #3398779. Published by Whitewhisker Music (A0.991324). This exciting arrangement captures all the details of Mariah Carey's Christmas classic, including the dramatic introductory verse (here featuring solo cello) and the joyful momentum and melodic pyrotechnics of Carey's performance. Perfect for Christmas cocktail parties, or even the recessional at a Christmas wedding, this arrangement is easily performed by professionals or an advanced student ensemble as well. Everyone in the quartet gets a taste of the melody. SCORE AND PARTS.
$19.95 ≈
18.62€
Kupelwieser Waltz (from Waltz in G-flat major, D.Anh.I/14) EASY VERSION in G Major for PIANO SOLO
Kupelwieser Waltz (from Waltz in G-flat major, D.Anh.I/14) EASY VERSION in G Major for PIANO SOLO
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Easy Piano
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EASY
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Classical
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Franz Schubert
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Flavio Regis Cunha
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Kupelwieser Waltz
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo, Easy Piano - Early Intermediate - Composed by Franz Schubert (1797-1828). Arranged by Flavio Regis Cunha. Romantic Period, Valentine'...
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Piano Solo, Easy Piano - Early Intermediate - Composed by Franz Schubert (1797-1828). Arranged by Flavio Regis Cunha. Romantic Period, Valentine's Day, Wedding, Graduation, Recital. Score. 4 pages. Published by Flavio Regis Cunha
Here we offer a beautiful arrangement for easy piano transposed to G Major from the original key in G flat major by Richard Straus. You and your audience will love playing this piece.
Leopold Kupelweiser was the son of Johann Baptist Georg Kilian Kupelwieser (1760?1813), co-owner of a factory that produced tableware. His talents were recognized at an early age by the sculptor Franz Anton von Zauner and by the time he was twelve, he was already attending the Academy of Fine Arts, Vienna.
His brother was the theatrical director Joseph Kupelwieser, who wrote the libretto for Schubert's opera Fierrabras. With his brother, Joseph, he was a member of the "Schubertianern" (friends of Franz Schubert), a group that often got together for summers at the Schloss Atzenbrugg, west of Vienna. In 1826, Leopold married Maria Johanna Evangelista Augustina Stephania Theodora Lutz, an occasion which was marked by Schubert's composition, the "Kupelwieser Waltz" (never written down, but passed along by the family and later transcribed by Richard Strauss).
$4.49 ≈
4.19€
They Saw a Star Christmas Cantata for SATB optional instruments and piano
They Saw a Star Christmas Cantata for SATB optional instruments and piano
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Connie Boss
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Connie Boss
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They Saw a Star Christmas Cant
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1318802 Composed by Connie Boss. Arranged by Connie...
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Alto Voice,Bass Voice,Cello,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1318802 Composed by Connie Boss. Arranged by Connie Boss. Christmas,Holiday. 122 pages. Connie Boss #907356. Published by Connie Boss (A0.1318802). Everyone knows how special the star was for the birth of Jesus. The star guided many along the way to find the manger that Mary, Joseph and the newborn baby, Jesus were at. This cantata reflects the importance of the star during that time. Most of the songs have lyrics about the star. The cantata starts off with Mary finding out from the angel that God chose her to bear his son - Ave Maria was redone for this advent moment. It keeps to the melody and Ave Maria words are still part of the lyrics. Some of the lyrics have the English translation in the song, while other lyrics are new for this Christmas song. The next song O Little Town of Bethlehem is where Mary and Joseph have to travel to pay their taxes and where Jesus is born. This is where the star shines down for all to see. This is the traditional song, but I have added extra lyrics at the end of each original verse. Next, the shepherds seeing the star decide to travel to Bethlehem. Pachelbel Canon is so iconic, but I have added lyrics from While Shepherds watched their flocks by night, Away in a Manger, What Child is This and The First Noel. The choir parts bring rich harmonies to the piece. The Angels said leave your sheep and leave your lambs. Rise up Shepherd and Follow. Now we are at the manger. I composed the song - A Little Baby. He was born to save us all. . Still, Still, Still “Tis the Night of Our Savior’s Birth has added lyrics to each verse that ties in with the original lyrics. The title of this cantata is They Saw A Star - this is from the song I composed with the same title. It not only brings in the shepherds, but also the Three Wisemen. To close out this cantata, I have used the lyrics from We Three Kings and the melody of Scarborough Fair. This arrangement has an ST duet with SATB choir parts with ahhs that sound very mysterious. It also does include parts for strings if you are lucky enough to have violins and a cello. The strings parts are the same as the choir parts, so it is perfectly fine to do this with just a choir. I hope you enjoy singing and listening to this cantata—Connie Boss.
$10.00 ≈
9.33€
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward ...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting go”. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my door”. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean” of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdom”. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeterna”. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen” [“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning”] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben” [“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold”]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus” [“And my soul spread its wings wide. Flew through the still country as if homeward bound.”]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed” occupation with the “old” country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomer”. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
52.26€
Classical Wedding Fake Book (Eb Version) - Popular classical songs arranged in lead sheet format
Classical Wedding Fake Book (Eb Version) - Popular classical songs arranged in lead sheet format
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Stephen Bulat
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Classical Wedding Fake Book
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.858668 Arranged by Stephen Bulat. Baroque,Classical,Opera,Romantic Period,Wedding. Score and parts. 54 pages. Stephen Bulat Publishing #5723231. Published by Stephen Bulat Publishing (A0.858668). This compilation of popular classical pieces often performed at weddings is arranged in the fake book/lead sheet format Fake book also available for concert C and Eb instruments as well as a Bandleader Gig Pack that contains fake books for C, Bb and Eb Instrumentation.Songs include:Adagio in G Minor - Tomaso Giovanni Albinoni Air On The G String - J. S. Bach Arioso - J. S. Bach Ave Maria - J. S. Bach/Gounod Jesu, Joy of Man's Desiring - J. S. Bach Minuet in G Major - J. S. Bach Ode To Joy - Ludwig Van Beethoven Trumpet Voluntary - Jeremiah Clarke Clair De Lune - Claude Debussy The Flower Duet - Leo Delibes Salut D’Amor - Edward Elgar Pavane - Gabriel Faure Air (from Water Music) - George Frideric Handel Arrival Of The Queen Of Sheba - George Frideric Handel Meditation (from Thais) - Jules Massenet Wedding March (from A Midsummer’s Night Dream) - Felix MendelssohnRondeau (Theme from Masterpiece Theatre) - Jean-Joseph Mouret Eine Kleine Nachtmusik - Wolfgang Amadeus Mozart Canon in D - Johann Pachalbel Trumpet Tune - Henry Purcell The Swan (from Carnival Of The Animals) - Camille Saint-Saëns Ave Maria - Franz Schubert Romeo & Juliet (Love Theme) - Pyotor Ilyich Tchaikovsky Sleeping Beauty Waltz - Pyotor Ilyich Tchaikovsky Swan Lake - Pyotor Ilyich Tchaikovsky Spring (1stMovement) (from The Four Seasons) - Antonio Vivaldi Bridal Chorus - Richard Wagner Please click on the publisher to purchase compilation songs i.
$9.99 ≈
9.32€
Haydn Piano Sonata 40.1 Allegretto innocente (Classical Music for Tablet Series)
Haydn Piano Sonata 40.1 Allegretto innocente (Classical Music for Tablet Series)
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Piano solo
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INTERMEDIATE
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Classical
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Stephen R Dalrymple
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edited by Stephen R Dalrymple
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Haydn Piano Sonata 40.1 Allegr
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.818282 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Clas...
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Piano Solo - Level 3 - SKU: A0.818282 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Score. 17 pages. Stephen R Dalrymple #4967137. Published by Stephen R Dalrymple (A0.818282). Franz Joseph Haydn was born in 1732 in a small village in Austria, near the Hungarian border. ♫ His father was a wheelwright and a leader of the town. His mother had been a cook in the palace of a Count. His father had taught himself to play the harp. His family was musical and often sang together (16 brothers and sisters). His father saw that he was extremely musical and that he couldn’t get the education he needed in his little village. When he was 6 years old, he was sent to the home of a relative about 7 miles away to study to be a musician. He never lived with his parents again. ♫ In 1752 he was employed by Count Karl Joseph Morzin, leading the Count’s small orchestra and writing the first of his symphonies. ♫ In 1760 he married Maria Keller. They had a very unhappy marriage, producing no children. ♫ In 1760 Count Paul Andre Esterhazy (one of the wealthiest and most important nobles in the Austrian empire) hired him as assistant director of music. In 1766 at the age of 34, Prince Nikolaus Esterhazy appointed Haydn his Director of Music. His job was divided between the Esterhazy palace in Austria their palace across the border Hungary. ♫ Haydn dedicated Piano Sonata 40 to Princess Marie Esterhazy. He worked for the Esterhazys for the next 28 years, writing hundreds of pieces of music for the prince. After about 15 years, he signed a new contract allowing him to write music for other customers. Haydn’s reputation grew to international fame. ♫ Haydn wrote 104 Symphonies. Not unlike George Washington, nicknamed the “Father of our Country”, yet had no children, Haydn is known as the “Father of the Symphony.” ♫ Napoleon captured Vienna in 1809. Napoleon, himself, ordered an honor guard be placed at Haydn’s home where Haydn lay dying. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit this screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.72€
Haydn Piano Sonata 40.2 Presto (Classical Music for Tablet Series)
Haydn Piano Sonata 40.2 Presto (Classical Music for Tablet Series)
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Piano solo
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INTERMEDIATE
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Classical
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Stephen R Dalrymple
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edited by Stephen R Dalrymple
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Haydn Piano Sonata 40.2 Presto
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.818283 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Clas...
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Piano Solo - Level 3 - SKU: A0.818283 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Score. 14 pages. Stephen R Dalrymple #4967139. Published by Stephen R Dalrymple (A0.818283). Piano Sonata 40.2 Presto (Classical Music for Tablet Series) Franz Joseph Haydn was born in 1732 in a small village in Austria, near the Hungarian border. ♫ His father was a wheelwright and a leader of the town. His mother had been a cook in the palace of a Count. His father had taught himself to play the harp. His family was musical and often sang together (16 brothers and sisters). His father saw that he was extremely musical and that he couldn’t get the education he needed in his little village. When he was 6 years old, he was sent to the home of a relative about 7 miles away to study to be a musician. He never lived with his parents again. ♫ In 1752 he was employed by Count Karl Joseph Morzin, leading the Count’s small orchestra and writing the first of his symphonies. ♫ In 1760 he married Maria Keller. They had a very unhappy marriage, producing no children. ♫ In 1760 Count Paul Andre Esterhazy (one of the wealthiest and most important nobles in the Austrian empire) hired him as assistant director of music. In 1766 at the age of 34, Prince Nikolaus Esterhazy appointed Haydn his Director of Music. His job was divided between the Esterhazy palace in Austria their palace across the border Hungary. ♫ Haydn dedicated Piano Sonata 40 to Princess Marie Esterhazy. He worked for the Esterhazys for the next 28 years, writing hundreds of pieces of music for the prince. After about 15 years, he signed a new contract allowing him to write music for other customers. Haydn’s reputation grew to international fame. ♫ Haydn wrote 104 Symphonies. (Some count 107.) Not unlike George Washington, nicknamed the “Father of our Country”, yet had no children, Haydn is known as the “Father of the Symphony.” and the “Father of the string Quartet.” ♫ Napoleon captured Vienna in 1809. Napoleon, himself, ordered an honor guard be placed at Haydn’s home where Haydn lay dying. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit this screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.72€
Marie Mcdonald
Marie Mcdonald
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Choral SATB
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EASY
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Contemporary
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David Benjamin Steinberg
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Mary McDonald
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Marie Mcdonald
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Marco Borsoi
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.904861 Composed by David Benjamin Steinberg. Arranged by Mary McDonald. Contemporary. Octavo. 17 pages. Marco Bo...
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Choral Choir (SATB) - Level 2 - SKU: A0.904861 Composed by David Benjamin Steinberg. Arranged by Mary McDonald. Contemporary. Octavo. 17 pages. Marco Borsoi #6623055. Published by Marco Borsoi (A0.904861). After the birth of Jesus in Bethlehem, three Wise Men arrived from the East. They were looking for the King of Kings and brought gifts of gold, frankincense, and myrrh.They expected to find him in a palace or in the Great Temple of Jerusalem, but the star led them to a manger, where they met Mary and Joseph who were watching over their child.The Magi kneeled and began to adore him.With that little baby was born the Lord of All, the Creator of the World, the one who would wash away sin from man, delivering him from darkness and bringing eternal Glory.-------Dopo la nascita di Gesù a Betlemme, dall’est arrivarono tre Magi: cercavano il Re dei Re e portavano in dono oro, incenso e mirra.Si aspettavano di trovarlo in un palazzo oppure nel Grande Tempio di Gerusalemme: invece la stella li guidò in una mangiatoia, dove incontrarono Maria e Giuseppe che vegliavano sul loro bimbo.I Re Magi si inginocchiarono ed iniziarono ad adorarlo.Con quel piccolo bambino nasceva il Signore di Tutto, il Creatore del Mondo, colui che avrebbe lavato via il peccato dall’uomo, liberandolo dall’oscurità e portando la Gloria eterna.
$9.99 ≈
9.32€
Born a Mighty King!
Born a Mighty King!
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Choral SATB
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EASY
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Mary McDonald
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Mary McDonald
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Born a Mighty King!
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Marco Borsoi
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.923137 By Mary McDonald. By words by Rose Aspinall and Mary McDonald music by Mary McDonald. Arranged by ...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.923137 By Mary McDonald. By words by Rose Aspinall and Mary McDonald music by Mary McDonald. Arranged by Mary McDonald. Christmas,Pop,Praise & Worship,Sacred,Spiritual. 17 pages. Marco Borsoi #529002. Published by Marco Borsoi (A0.923137). After the birth of Jesus in Bethlehem, three Wise Men arrived from the East. They were looking for the King of Kings and brought gifts of gold, frankincense, and myrrh. They expected to find him in a palace or in the Great Temple of Jerusalem, but the star led them to a manger, where they met Mary and Joseph who were watching over their child. The Magi kneeled and began to adore him. With that little baby was born the Lord of All, the Creator of the World, the one who would wash away sin from man, delivering him from darkness and bringing eternal Glory. - Dopo la nascita di Gesù a Betlemme, dall’est arrivarono tre Magi: cercavano il Re dei Re e portavano in dono oro, incenso e mirra. Si aspettavano di trovarlo in un palazzo oppure nel Grande Tempio di Gerusalemme: invece la stella li guidò in una mangiatoia, dove incontrarono Maria e Giuseppe che vegliavano sul loro bimbo. I Re Magi si inginocchiarono ed iniziarono ad adorarlo. Con quel piccolo bambino nasceva il Signore di Tutto, il Creatore del Mondo, colui che avrebbe lavato via il peccato dall’uomo, liberandolo dall’oscurità e portando la Gloria eterna.
$4.99 ≈
4.66€
Love On The Brain
Love On The Brain
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String Trio: 2 violins, cello
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ADVANCED
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Rihanna
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Sarah Cellobat Chaffee
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Love On The Brain
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 5 - SKU: A0.526085 By Rihanna. By Frederik Ball, Joseph Angel, and Robyn Fenty. Arranged by Sarah Cellobat Chaffee. Con...
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String Trio Cello,Violin - Level 5 - SKU: A0.526085 By Rihanna. By Frederik Ball, Joseph Angel, and Robyn Fenty. Arranged by Sarah Cellobat Chaffee. Contemporary,Hip-Hop,Pop,R & B,Wedding. 12 pages. Sarah Cellobat Chaffee #4610079. Published by Sarah Cellobat Chaffee (A0.526085). *INSTRUMENTATION: 2 VIOLINS & CELLO*Written for Rihanna's eighth studio album Anti and inspired by 50's and 60's doo-wop soul music, Love On The Brain is a powerful 6/8 ballad depicting the powerful pull of a stormy relationship. This huge hit became Rihanna's 22nd single in the Billboard top 5, showcasing her vocal versatility and earning her comparisons to Amy Winehouse and Mariah Carey. In this beautiful arrangement for two-violin and cello trio, the first violin part is the virtuosic vocal line, with a part spanning several octaves and including many of Rihanna's tricky, almost-improvised, off-the-cuff rhythms. Commissioned for a wedding reception, this arrangement stays true to the soulful feel and dynamic intensity of the original song and is just as much fun to play as it is to listen to! The 2nd violin and cello parts of this chart are more of an early-intermediate level, but I'm rating it as advanced for all the unconventional rhythms in the 1st violin part - this will be sightreadable for professionals, but V1 might want to take a look at it first. :) Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$14.99 ≈
13.99€
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Tuba ensemble
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INTERMEDIATE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set ...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller?s signature tune. In 1991, Miller?s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master?s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra?s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrs Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song?s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ?Moonlight Serenade? for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
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